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#rbchallenge

The Ray Bradbury Challenge

Table of Contents:


Note: As of 03/30/26, I have discontinued this challenge. I know, but I made it a good five weeks. I don’t think I’m obligated to give a reason for this, but i’ll say that while this challenge was really insightful and truthfully I will probably still keep reading an essay, short story, and poem some days, I needed to reorient a lot of my personal obligations to stay truthful to myself. Basically, I hope to keep reading and writing without having to fill out a daily list to make sure I’m doing it.

Ray Bradbury

“I’ll give you a program to follow every night, a very simple program…one poem a night, one short story a night, one essay a night, for the next 1,000 nights. From various fields: archaeology, zoology, biology, all the great philosophers of time, comparing them…But that means that every night then, before you go to bed, you’re stuffing your head with one poem, one short story, one essay—at the end of a thousand nights, Jesus God, you’ll be full of stuff, won’t you?” — Ray Bradbury

Beginning on February 15th, 2026, I am going to participate in the Ray Bradbury Challenge. In marriage of the spirit of the original challenge with a practical undertaking, I have defined the rules as follows:

  1. I am only going to engage in the challenge for 365 days, a full year.

  2. I am going to write one short story weekly, culminating in 52 short stories by the end of it.

Below you will find some considerations on the challenge itself. You might find this interesting if you’re interested in my experience of the challenge, or if you want to undertake it yourself. If you would like to skip to the analytics and list of readings/writings, you can find this here, or at the bottom of the page.


On the Star System:

For some readings, I will assign them a star (*). There is no precise criteria for determining what is worthy of a star. If I do not like a piece of writing, or if it delivers no special impact, then it gets no star. If it brings me emotion, or I find it important, then it gets a star.

After four weeks now, I have starred many pieces of writing. And within this growing corpus of starred readings I have found a need to designate pieces with even greater importance. A question then forms: How to assign stars? The star system itself is a way of discriminating good writing from worse writing, and so it makes sense that with an ever-growing body of good writing, there ought to emerge better and better writing. But I have a few considerations:

  • I want to assign stars organically without particular thought given to their distribution. The distribution of stars should not itself affect my consideration of what is worth a star. Imagine that I read a poem which brought me to tears. I go to assign it a star, but find under the guidelines that I’d already hit my quota of 15% single starred readings. This simply wouldn’t do. If it is important, it is important. Simple ‘as.

  • That being said, I would hope that through natural assignment, the proportions of readings with ever-greater amounts of stars should emerge semi logarithmically. Meaning that within, perhaps, a body of 100 works, maybe 20 of them have one stars, three might have two stars, and scarcely any have more stars. Additionally, It wouldn’t make much sense for all my writing to be three starred. This is not to say it couldn’t happen, but it is unlikely. More importantly, it would simply feel wrong; this is a system primarily based on feeling, from which insight ought to be derived emergently.

My solution: Further stars can only be assigned upon rereading or in retrospect. A piece cannot earn multiple stars immediately, its importance must be assigned over time through the trial of actually being remembered. A one star writing might be immediately important. But a two star writing might be one I find resurfacing over weeks or months. A three star or even four star writing—if existing within the sizeable corpus of my reading—must be especially important, being essentially influential to my being or some piece of creation.


On Makeups and Writing

If I find myself missing my reading, I have decided to make up the reading as soon as possible at a double pace, meaning that when I read my next daily essay, story, and poem, I will read one more of each, and assign this reading to the soonest possible day.

I think this is a good solution. It is only natural that I will miss a reading now and again, and I have no desire to quit the challenge on day 345 because I forgot to read an essay. Additionally, reading only at a double pace ensures that each piece is given its proper digestion, as opposed to reading 15 pieces a day after missing a week. Of course, in general this challenge is intended to benefit myself as a writer, so some effort must be given. If I miss a reading or writing due to life, so be it. But if I miss a month, I ought to question if I am really determined to do this challenge properly.

On writing especially, I make no guarantee that my work will be finished. I hope by the end to have produced some stories of quality, but I think I will do better to write with my best effort per week and to post simply what I have.

Lastly, if I make up a missed reading, I will give no expressed indication of doing so. I hold myself to no obligation of absolute efficiency. If I make up a week, I will fill it in as if I read consistently when the reading is done. The list below is for convenience, it’s not a git log.


On Curation

One thing you might be wondering: How will I find the stories, essays, and poems? So far, my sources vary. At the start, I found myself rereading from my past, such as the various works of King, Orwell, Shelley, Ursula K. Le Guin, Shirley jackson, and Gary Soto, to name a few. You might find these within the curriculum of a regular english class, and many of these I found nostalgic. I would make obvious searches into google such as “Good Essays, Poems, Short Stories”, and pick what I found interesting. Consulting internet communities is helpful as well. On reddit for example, people comment in earnest on writings important to them, which helped me find texts I actually wanted to read.

Some particularly good repositories of writing (non exhaustive):

Perhaps controversially, I have also made use of AI recommendations to curate readings. I am hesitant to recommend this as a general method of finding readings, since it takes the act of curation entirely out of your hands. If you ask an LLM such as ChatGPT or Gemini to provide you with a list of essays or short stories, you might find yourself reading general, overly popular, or not altogether insightful works. Whereas a careful curation by the individual can ensure exposure to more profound texts. For example, I think there is a great wonder to reading a short essay from the 1800s on umbrellas, or an essay on spiders and wasps, as opposed to the 100th David Foster Wallace or Joan Didion essay. That being said, I cannot deny the great utility of this tool when used with consideration. As of 03/15/26, I have found that the Claude AI by anthropic (used without payment) to be the most insightful in returning works that I would want to read. Chat GPT and Gemini tend to recommend regular and popular works, and in some cases even hallucinate whole essays and stories. A common prompt I have used:

provide me a collection of essays, short stories, and poems, that are good and from a variety of subjects, but not apart of the popular canon that you would regularly recommend. Also on the shorter side preferably

I prefer to read shorter works, such as ones between 3-10 pages, but there is great stuff to be found in longer ranges. Just keep in mind that the effort required to properly finish Emerson’s Self Reliance is going to be far different than what’s required for Orwell’s Thoughts on the common toad. So be mindful of the quantity as well as quality of your daily reading—you have a lot of time ahead of you.

Finally, some of these works are not readily available on the internet at a first click. Some can be found only within essay or story collections, within wikipedia links, or on school websites. I will not go into my methods of scavenging works, but anyone with half a mind for internet research will do alright, just know that following in my footsteps might present you with trouble in procuring some of the more esoteric pieces. For this reason, I do not make any signficiant attempt to save what I read. If I find a passage particularly notable, the closest thing to annotation I’ll do is to copy it into my daily note for the day with a simply citation to the author and the work.


Some Initial Observations

I will likely write later on about how this challenge has affected me, but at one day shy of four weeks in, here are a few of my thoughts:

  • In general, this program is a God-send for any aspiring writer who is seriously motivated to improve their writing ability and overall literacy. Before starting, I found the challenge to be daunting. How could I read so much and for so long? In talking it over with others, they produced similar sentiments of disbelief that such a challenge could be sustained. But I now realize that this challenge—besides the consistency it demands—is not alltogether insurmountable, and actually parallels the regimens of athletes and students worldwide, whose habits most of us have no trouble in conceptualizing. This, it would seem, is simply the name of the game. And I think any serious writer ought to consider undertaking this challenge.
  • Part of the benefits of this challenge come simply from the sheer exposure to writing that it offers. Beforehand, even though I would claim that I liked to write and read, I scarcely read at all besides what I found on social media or a book every so often. But when you read every day, you realize that your brain is capable of so much more. After a few weeks, your brain begins to adapt to the workload, and after a month, you find yourself forming deeper understandings of writing, vocabulary, structure, etc. It brings me back to some English classes in Highschool, where reading of this quantity was not alltogether seen as absurd. Put simply: This challenge shows you how capable you can really be. And under a certain reframing, it’s not alltogether that crazy now is it? Would you really consider someone a musician if they didn’t play their instrument more than once a week?

Analytics and Readings

Stories

  1. The Room
  2. Eternity, Eternity
  3. The Babelophone
  4. Incomplete

Readings

Star Distribution

Rating Count % of Total (101)
★★★ 0 0%
★★ 4 3%
28 27%

Week 1

02/15/2026 — Sunday

Story: The Jaunt — Stephen King

Essay: Some Thoughts on the Common Toad — George Orwell

Poem: In the Desert — Stephen Crane

02/16/2026 — Monday

Story: The Swimmer — John Cheever

Essay: The Death of the Moth — Virginia Woolf

Poem: Design — Robert Frost

02/17/2026 — Tuesday

Story: Hills Like White Elephants — Ernest Hemingway

Essay: Notes on Camp — Susan Sontag

Poem: Phenomenal Woman — Maya Angelou

02/18/2026 — Wednesday

Story: The Ones Who Walk Away from Omelas — Ursula K. Le Guin

Essay: On Self Respect — Joan Didion

Poem: Ozymandias — Percy Bysshe Shelley

02/19/2026 — Thursday

Story: The Veldt — Ray Bradbury

Essay: Science and Religion, The Purpose of Religion, The Philosophy of Life Undergirding Christianity and the Christian Ministry — Martin Luther King Jr.

Poem: Oranges — Gary Soto ★★

02/20/2026 — Friday

Story: A Hanging — George Orwell

Essay: The Crack-Up — F. Scott Fitzgerald

Poem: Fire and Ice — Robert Frost

02/21/2026 — Saturday

Story: Araby — James Joyce

Essay: Federer as Religious Experience — David Foster Wallace

Poem: Harlem — Langston Hughes

02/22/2026 — Sunday

Story: The Monkey's Paw — W.W. Jacobs

Essay: Why I Write — George Orwell

Poem: Dulce et Decorum Est — Wilfred Owen

Writing: The Room

Week 2

02/23/2026 — Monday

Story: The Hanging Stranger — Philip K. Dick

Essay: Politics and the English Language — George Orwell

Poem: Do Not Go Gentle Into That Good Night — Dylan Thomas ★★

02/24/2026 — Tuesday

Story: Signs and Symbols — Vladimir Nabokov

Essay: My Wood — E.M. Forster

Poem: The Ship of Death — D.H. Lawrence

02/25/2026 — Wednesday

Story: The Lottery Ticket — Anton Chekhov

Essay: The Philosophy of Umbrellas — Robert Louis Stevenson

Poem: The Panther — Rainer Maria Rilke

02/26/2026 — Thursday

Story: In the Penal Colony — Franz Kafka

Essay: A Message to Garcia — Elbert Hubbard

Poem: The Fish — Elizabeth Bishop

02/27/2026 — Friday

Story: The Necklace — Guy de Maupassant

Essay: Why Not Stay at Home? — Aldous Huxley

Poem: [anyone lived in a pretty how town] — E.E. Cummings

02/28/2026 — Saturday

Story: The Open Window — Saki

Essay: On Being Idle — Jerome K. Jerome

Poem: Snow — Louis MacNeice

03/01/2026 — Sunday

Story: Nine Billion Names of God — Arthur C. Clarke

Essay: A Modest Proposal — Jonathan Swift

Poem: The Love Song of J. Alfred Prufrock — T.S. Eliot

Writing: Eternity, Eternity

Week 3

03/02/2026 — Monday

Story: The Aged Mother — Matsuo Basho

Essay: This is the Life — Annie Dillard

Poem: Dream Variations — Langston Hughes

03/03/2026 — Tuesday

Story: The Lottery — Shirley Jackson

Essay: The Unreasonable Effectiveness of Mathematics in the Natural Sciences — Eugene Wigner

Poem: Night Was Done — Mikhail Kuzmin

03/04/2026 — Wednesday

Story: The Gift of the Magi — O. Henry

Essay: Margaret Atwood at University of Toronto — Margaret Atwood

Poem: We Real Cool — Gwendolyn Brooks

03/05/2026 — Thursday

Story: Harrison Bergeron — Kurt Vonnegut

Essay: Shooting an Elephant — George Orwell

Poem: The Tyger — William Blake

03/06/2026 — Friday

Story: The Egg — Andy Weir

Essay: Self-Reliance — Ralph Waldo Emerson

Poem: If— — Rudyard Kipling

03/07/2026 — Saturday

Story: Bullet in the Brain — Tobias Wolff ★★

Essay: The Spider and the Wasp — Alexander Petrunkevitch

Poem: Archaic Torso of Apollo — Rainer Maria Rilke

03/08/2026 — Sunday

Story: The Last Question — Isaac Asimov

Essay: On Noise — Arthur Schopenhauer

Poem: The Best Thing in the World — Elizabeth Barrett Browning

Writing: The Babelophone

Week 4

03/09/2026 — Monday

Story: The Interlopers — Saki

Essay: Write Simply — Paul Graham

Poem: The Orange — Wendy Cope

03/10/2026 — Tuesday

Story: Wants — Grace Paley

Essay: Good Writing — Paul Graham

Poem: The Heavy Bear Who Goes with Me — Delmore Schwartz

03/11/2026 — Wednesday

Story: Indian Camp — Ernest Hemingway

Essay: The Sad, Beautiful Fact That We're All Going to Miss Almost Everything — Linda Holmes

Poem: No Man Is an Island — John Donne

03/12/2026 — Thursday

Story: The School — Donald Barthelme

Essay: The Witness — Jorge Luis Borges

Poem: The Two-Headed Calf — Laura Gilpin

03/13/2026 — Friday

Story: The Portable Phonograph — Walter van Tilburg Clark

Essay: The Pleasures of Eating — Wendell Berry

Poem: Desiderata — Max Ehrmann

03/14/2026 — Saturday

Story: The Bet — Anton Chekhov

Essay: The Brown Wasps — Loren Eiseley

Poem: Well Water — Randall Jarrell

03/15/2026 — Sunday

Story: The Ledge — Lawrence Sargent Hall ★★

Essay: Joyas Voladoras — Brian Doyle

Poem: Tichborne's Elegy — Chidiock Tichborne

Writing: Incomplete

Week 5

03/23/2026 — Monday

Story: An Angel in Disguise — T.S. Arthur

Essay: How to Mark a Book — Mortimer Adler

Poem: flocking.go — Daniel Holden and Chris Kerr

03/24/2026 — Tuesday

Story: I Could See the Smallest Things — Raymond Carver

Essay: On Transience — Sigmund Freud

03/25/2026 — Wednesday

Story: In the Cemetery Where Al Jolson is Buried — Amy Hempel

Essay: Letters To A Young Poet — Rainer Maria Rilke

Poem: Ode to My Socks — Pablo Neruda

03/26/2026 — Thursday

Story: The Selfish Giant — Oscar Wilde

Essay: Things could be better — Adam Mastroianni

Poem: This Is Just To Say — William Carlos Williams

03/27/2026 — Friday

Story: The Father — Bjørnstjerne Bjørnson

Essay: You can do it, baby! — Leslie Garrett

Poem: Nothing Gold Can Stay — Robert Frost

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